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Terrance Brennan opened Picholine restaurant in October of 1993, one block east of Lincoln Center. At the time there was a dearth of fine restaurants in the neighborhood: some nice ones here and there but few that were truly exceptional. Terrance honed his culinary skills in southern Europe where cheese is a part of everyday life and “celebrated” as a stand-alone course: the cheese plate. He believed that a superior cheese course should be offered here in New York City as good as the ones he experienced while a young chef in Europe. Terrance wanted to replicate that cheese course experience at Picholine but not until he was assured that the restaurant would survive its first critical year in existence – the one in which nine out of ten restaurants usually close.
Fortunately Terrance is a great chef with a palate that can detect the one missing grain of salt in a Paella or discern the potential of the addition of lemon thyme in a sauce. It was also the “theatre” that attracted his attention to the cheese course. The days of tableside Crêpes Suzettes and Bananas Flambées had long passed and tableside carving of meats or filleting of fish was becoming a little worn out too. A grand presentation of cheeses had enjoyed modest success in New York, and what tableside presentations there were did not qualify as especially “grand.” We rolled out our chariot des fromages with a selection of fourteen cheeses on day one. Within a few weeks that number had nearly doubled.
I was able to hold down both jobs at the start: Fromager and Maître d’Hotel. The cheese program was a near-overnight success however so I was not able to give either of those jobs the full attention required. Naturally, I gave up the Hotel and kept the fromage. It was something new; I had loved cheese all my life anyway, and the Maître d’Hotel job (though well-paying) was far less challenging. That challenge is what caused the selection to grow quickly, and also what ensured the program’s ultimate success.
Well-traveled guests would come in and ask for other cheeses, or they might come in the very next night and say something like: “That selection you had last night was magnificent; what do you have this evening?” or “Do you have Stilton, my favorite?” So it was customer demand that grew the selection. As Terrance would expect with every other menu item, I was entrusted with knowing each of the cheeses. With the many gourmands that Picholine attracted, it behooved me to become as expert as possible, as quickly as possible. Thus began my cheese education.
Within a few months we had guests coming in for the cheese course having read about it in a European newspaper. The food media in New York was enthralled. Terrance is a great chef, no doubt, but there were already more than a handful around town yet none of them was taking the cheese course that seriously. Picholine became a destination for cheese. The New York Times came back in to review the restaurant within a year after the launch of the cheese program and gave the restaurant three stars, highlighting the cheese course in the review. Other restaurants got on the cheese bandwagon eventually, today, the cheese course can be found in most fine dining establishments throughout North America.
As the cheese trolley began to fill up with more and more exquisite cheeses, Terrance decided to install a cheese “cave” based on the expert guidance we received regarding cheese storage. A small walk-in closet was retrofitted into a cheese cave – the first of its kind in a North American restaurant. The installation of the cheese cave was a second “first” for Picholine. The restaurant could claim the first full-time Fromager in the United States, and the first cheese “cave.”
The cave’s tile walls were easy to clean and they helped maintain the proper temperature and humidity levels. This was a single-unit cave set to 50º F and 85% relative humidity, hence similar conditions to what one might find in an actual cave, ideal for storing most cheese types. We did have some concerns about cross-contamination: what if the blue crept into non-blue cheeses?
Fortunately this was not a problem whatsoever; the cheeses moved through this cave at a brisk pace. As the number of cheeses on the trolley increased, so did the excitement, and the check averages in the restaurant increased dramatically. Part of the increase was the cheese but a larger part of it could be attributed to the concomitant beverage sales. Some guests would opt for high-end dessert wines to accompany their cheeses, such as an aged Château d’Yquem. Instead of having one fixed price for a cheese plate (especially with so many to choose from) the prices were set on a scale, depending on how many cheeses the guest desired, from only one to as many as ten.
A three-fold cheese menu was designed so that the guests could follow along with their cheeses set in a progression on their plates. The menu listed as many as eighty cheeses – the ones that were typically available for the season as well as “special appearance” cheeses – with a space to write in tasting notes. The cheese menu was updated every season as the program evolved and as cheeses would come and go. The cheese menu also served as a marketing tool for the restaurant. Many regulars collected these menus from each visit and some claimed to have a wall full of cheese menus. Guests could return and request cheeses that were favorites from their previous visits.
Some guests wanted to purchase extra cheese to take home with them. The cheeses were still priced the same as if they had had them served in the restaurant. There were times when this placed an extra burden on the Fromager, and sometimes the sheer demand for cheese courses in the bustling restaurant would cause a lag time to receive the presentation. A “dance card” was devised for the cheese trolley wherein the captain would write in the table number waiting for cheese service, with a space to make a notation about whatever wine they might be enjoying – this to give the fromager some guidance in the cheese selection recommended. Terrance noted the demand for purchasing cheese to take home and eventually this led to the inclusion of a retail counter at the second restaurant in the group – Artisanal Brasserie et Fromagerie. The additional demand for the high-end top quality cheeses put pressure on the small walk-in cheese cave.
Not long after this first cheese cave in a restaurant was up and running, we had a visit from a literary agent – Angela Miller. Terrance said that I would be the guy to write a book on cheese. Steve Jenkins’ Cheese Primer had been out for a couple of years and since its publication no other books on cheese for the wider market had come out. I worked with Angela on a proposal for a book and within a few months a contract was signed with Clarkson Potter for a book to be entitled The Cheese Plate.
In the meantime, Terrance found a space for a second restaurant on 32nd street off Park Avenue. This new restaurant would be, as its name implies, a cheese-centric restaurant. The Artisanal Brasserie et Fromagerie would be a little less formal than Picholine, and just a little less expensive, with that retail counter included. Instead of the labor-intensive classical cheese trolley service the guests could simply go up to the cheese counter and confer with the fromagers, or the fromager could come to the table and discuss cheese options with the guests, or the guests could simply refer to a cheese menu.
The Artisanal Brasserie et Fromagerie opened in early 2001 to wide acclaim. The interior was designed by Adam Tihany to look like a brasserie in Paris, and indeed it did. The restaurant also had more seating than Picholine, quite a bit more – another reason why the cheese trolley service might be problematic. Having learned from the successes as well as the limitations of the Picholine program, it was evident that one well-functioning cheese cave is good but it would be better to have multiple caves, with each set to specific temperatures and humidity levels for different families of cheeses.
As it turned out, we could have made the space one large cheese depot with much larger caves. We had chefs, restaurateurs, caterers, airlines and others coming into the restaurant just for the cheeses. The restaurant itself was busy too, in a neighborhood that seemed a little tired and where the sidewalks seemed to roll up after dusk. With a growing residential population in the area the opening of the restaurant was welcomed with open arms, and the offices above it and surrounding it made Artisanal their preferred dining room. Of course it made no sense to convert this new and popular restaurant into that cheese depot; instead the idea of a cheese “center” was conceived, with much larger and more state-of-the-art cheese maturing caves, as well as a classroom for teaching classes and for hosting private cheese-themed events.
Within a year of the restaurant’s opening The Cheese Plate was published with a book launch party held on premises. The book became a standard introduction to the world of cheese and a best-seller in the category. Picholine continued to be the cheese destination that it had been, but it catered to a more upscale clientele, Lincoln Center fans and the surrounding neighborhood. Having been the first, Picholine became more of a cheese “shrine” whereas the Artisanal Brasserie & Fromagerie became more of a “cathedral.” If it was the cathedral, there needed to be another unit to manage the aging, distribution and the education component. The need for a classroom was indicated by the popularity of cheese classes in the Big Apple. New Yorkers, as well as many out-of-towners, were becoming increasingly curious about cheese, so the need for a classroom was indicated as another revenue stream.
Daphne Zepos was hired to assist me with this little cheese empire. Picholine’s program often required two fromagers to manage its demand, and on busier nights a third person would be required: the lead fromager would make the initial presentation (following the waiting list on the “dance card”) and a second would then receive the order from the presenter, then the third person would deliver the cheese selections to the guests and go over its contents, and suggest suitable wine partners. The brasserie usually had the same number of fromagers: two at lunch, and three during dinner service. Daphne’s hiring helped grow the program at both restaurants, and she would be called upon to assist with the opening of the center.
The space for the center was acquired in 2002, just one year after the opening of the brasserie. It was a raw space on the second floor of an office building, just one block east of the Jacob Javits Convention Center. At the time the space was acquired the neighborhood was still a little derelict and much-deserving of its name – “Hell’s Kitchen.” Architects and refrigeration experts were brought in to get this new center up and running quickly. The center opened it doors May 3rd, 2003, less than nine months after the space was acquired.
The southwest corner of the facility was dedicated to the storage and deliveries, with the five cheese caves along the south wall, each one with its own temperature and humidity. The production area adjoined these caves, and the customer service and sales offices filled out the southeast side of the center. The offices for accounting, web management, marketing and senior management were positioned along the eastern perimeter, with Terrance’s office in the northeast corner. The classroom was placed along the northern side. There had never been anything quite like it in the United States – a “center” with cheese caves, production facilities, offices for the entire company, and a classroom with a working kitchen for demos. Between the hallway and the classroom there was a reception area for classes and events which also doubled as a conference room for the company.
In addition to the architects, refrigeration experts, and our own team of cheese experts, Terrance retained the talents of a Paris “affineur” as a special consultant on the design, construction, and setup of the cheese caves. Terrance took Daphne with him to see the cheese caves at Alléose in Paris, the fromager and affineur he hired as consultant. They observed the working of their caves as well as their retail space. The process of affinage, the proper ripening of cheese, had been a part of the successes of the restaurants’ cheese programs; with the new center opening it became a much bigger concern.
Daphne also assisted in the design of the class curriculum and taught several classes during her tenure with the company. The classroom remained fairly busy with classes and private events over the ten years Artisanal was based at that location. The Master Series was a course that Daphne and I developed for industry professionals and for persons considering entering the world of cheese. Originally the series was offered on six consecutive Wednesdays; later it was consolidated to three in a row. Compressing the series this way made it easier for people from out of town to attend. The Master Series was offered once a quarter and drew in students from other countries as well as from across North America.
Not long after its opening I was given a contract for a second book, one that would be more of an atlas. Cheese: A Connoisseur’s Guide to the World’s Best was published in 2005 and won a James Beard Award for Special Subjects. The cheeses included in that book all came from the caves at Artisanal and all the photographs were taken in the classroom. This book went to the top of the category, surpassing the success of The Cheese Plate. Not long after the second book was published, the publisher suggested a third book to be titled Mastering Cheese. This book was to be based on the contents of the Master Series. The publisher budgeted only three hundred thousand words for this book so I had to add a clause after Mastering Cheese – “Lessons for Connoisseurship from a Maître Fromager.” That book was published in 2009 and became a textbook for the Master Series; it later went on to win Best Cheese Book in the World at Paris’ Gourmand Cookbook Awards.
The company continued to expand into markets outside of New York City, all across the United States, with a few international customers in countries without restrictions on this type of overnight cheese shipping. In the early years this was less problematic – shipping cheeses to international addresses – though the cost of shipping cheeses overseas usually exceeded the cost of the cheese itself. Artisanal supplied airlines with fine cheeses that were served in their first class cabins for Europe-bound flights and in their domestic lounges. One customer in Beijing informed us that this was the only way she was able to acquire some of the outstanding cheeses we offered.
As Artisanal’s sales grew steadily from year to year, it became apparent that it would one day outgrow its Hell’s Kitchen facilities. The first indication of growing pains was noted during the first Christmas season after opening. The production team took over the classroom to help manage the flow. From that first year on the classroom would be closed early each December to help manage the heavy volumes.
After the ten year run in that location, it was evident that a new space would be required to manage the growing business with even better state-of-the-art cheese maturing caves. As of this writing, the new Artisanal Cheese Center is being constructed.
- Max McCalman
Kirkham’s Lancashire is a cheese I have known and loved for many years. I recall sharing it with my friend David Pasternak back in the day. In case you do not know David, he is one of the owners and the Executive Chef of Esca restaurant here in New York. He would come into my cheese “office” daily when we worked together at Picholine and ask what I would recommend. I had already fallen in love with Kirkham’s by then so I wanted to see if he felt the same. It was (as it usually is) in fine form, so David would ask for it frequently, from that day on rarely bothering to ask what I would recommend.
A big part of my job there was to make wine recommendations for cheeses, and vice versa. The Lancashire showed very well with many wine types, both reds and whites. As Pinot Noir was (and still is) a favorite wine, an expression of which many parties would be enjoying when the cheese trolley pulled up, it was pleasing to see how well this varietal paired with this cheese. And so it went with many other reds: Syrah, Barbera, Tempranillo, Gamay, Amarone, Merlot, Sangiovese, Nebbiolo, Primitivo, even the occasional Cabernet Sauvignon. And of course the white wines paired well too: Sauvignon Blanc, Pinot Gris, Riesling, Albariño, Sémillon, the occasional Chardonnay, and Champagne. My British friends would say “Give me a pint of ale.”
So what gives this great British traditional such synergy with all these wines and ales?
It mostly comes down to balance. This is a quality Kirkham’s Lancashire possesses. By this I mean that it is not too salty, yet salty enough; not too sour, but acid enough; with a scant trace of bitterness; sweet fresh milk flavor; as well as a pleasing buttery mouthfeel. Pour a little astringent red wine on top and the cheese is able to soften the edges, or a little white wine and the fruit in the wine springs forth.
You have to take care of your Lancashire however. Make sure it is not left out for hours on end; it can dry out, which takes away from the lovely texture. And when you rewrap it, it helps to give your leftover Lancashire its own little microcosm. It is a raw milk cheese so when the pairings succeed they can be brilliant, though when they miss, they can miss badly. It is best to try this “chef’s cheese” alone first, the way David Pasternak always did. Get to know it on its own terms. A keen palate will recognize this cheese as one of the culinary world’s greatest masterpieces.
- Max McCalman
Dateline: Livorno, Italy
Aboard Oceania Cruise Ship, The Riviera
When we sailed into the old port of Livorno early in the morning, the evidence of extensive bombing during World War II remained, even after extensive rebuilding. Yet Livorno is still a major port so whatever restoration took place may not be so evident today. The region surrounding Livorno was relatively untouched, including some of Italy’s favorite destinations: Pisa, Florence, Siena, and the Tuscan countryside. Like Sardegna, the region has more sheep than people.
The Bon Appétit chef on board, Kathryn Kelly, invited us to join her on an excursion to the main market in Livorno, then to a Tuscan winery where we would make pizza, focaccia and biscotti in a wood-burning oven. The idea was to stock up on all the ingredients at the market, and to pick up picnic snacks for the bus ride.
The market had also been mostly destroyed during the war (couldn’t we spare the market?) but was rebuilt almost exactly to its original design in the fifties. Each member of our group was assigned a food to buy. Naturally I got the cheese shopping task. There were at least a dozen stalls focused entirely on cheese, each one specializing on one variety or several. I was only shopping for about twelve people but I couldn’t help myself; I bought enough to cheese to last for days.
I found that young Sardinian goat cheese in Livorno, the one I meant to buy in Olbia. This was the first cheese we shared on the bus ride, and it was sublime. The first taste was faint, but it opened up in the mid-palate, then lingered beautifully creamy in the finish. The other picnic items simply did not measure up. My compatriots helped me finish nearly a kilo of this rustic farmhouse cheese, all of it – including the rind.
I saved the Mozzarella di Bufala for after we got off the bus, just a little too messy for consumption on a fast-moving vehicle. It had just been made earlier that morning, the way we use to receive at Picholine years ago, and just the way it is meant to be eaten. The cheese would have been made outside Naples that morning, then it would be flown to JFK, then we had it to serve to our restaurant’s patrons the same evening.
- Max McCalman
On my subway ride into work this morning I overheard a pre-teen kid ask his dad who cut the cheese.
Whenever I hear the word “cheese,” or whenever I see it referenced in print, I tune in.
On hearing this question, and then hearing it again a couple more times, it reminded me of what my daughter may have answered years ago when classmates would ask her what her dad did for a living: “He cuts the cheese.”
Snickers all around.
Besides the association with its misinformed association with daunting aroma and poor food choices, cheese suffers from its association with poverty, as though it is no more than a poor man’s steak.
I recall another comment recently: “Or we could just have cheese.”
Precisely: why not?
The “C” word is heard more frequently than ever. I suppose “bad” publicity is better than none at all. The excitement is building; we are poised to see a capacity crowd taking the second American Cheese Society’s Certified Cheese Professional™ exam in Madison this summer.
In my current duties I may not cut the cheese at the break-neck pace the way I use to at Picholine years ago, yet I eat at least as much as I ever did, if not more.
Picholine restaurant’s guests who were considering a cheese course usually wanted to try a variety of cheese types (with my encouragement) and they usually wanted to try several (ditto); the average number being about five. Some people would have as many as nine or more cheeses, while a few guests wanted only one or two. Once the selection was determined the question arose, which wine to have with their cheese course. I recommended certain cheese types if they had wine in their glasses, or if they indicated a preference for a particular wine type. Usually however the focus was on the cheese selections, with wine as an after-thought. This was how most people approached this course – with the cheese selection preceding that of the wine.
This happens in other situations: the wine “person” counterpart asks me which cheeses I want to use at an event so they can select the wines around my choices. I let them know that the wines should be chosen first, as diplomatically as I can, that the wines should “drive the bus.” Besides, the cheeses tend to show up when they want to, whereas you can secure the wines well in advance.
A few Picholine diners asked for an appropriate “dessert” wine: port, Sauternes, Madeira sweeter Muscat, etc. Most people chose to stick with table wines, and if they did not already have a glass of something else they would usually ask for a red. Whenever this happened (which was very often) I would look over the several cheese types and think: that cheese pairs well with most Pinot Noirs, that one is better with Merlot, that cheese is nice with Cabernet Sauvignon, and that one does not work with any red, except maybe a Zinfandel. Ah yes, a Zinfandel, which would actually hold up well with all of those cheeses!
Zinfandel became the default red wine partner for those mixed groupings of cheeses. As I looked over my catalog of cheese and wine pairings, I found successful matches with a full range of cheese types: fresh cheeses, aged cheeses, goat, sheep, wash-rinds, bloomy rinds, Goudas, and blues. Several pairings were outstanding and only a very few disappointed.
Its twin sister, the Primitivo of southern Italy, has similar successes with cheeses, though not nearly as many as the California Zinfandels. This follows the relative successes for other varietals, those of the New World and those of the Old. The more austere styles of the Old World are just that, a little more austere compared to the more gregarious wines of the New.
Some recent successes we have enjoyed with our Zinfandels include Manchego, Idiazábal, Appenzeller, Gorgonzola Piccante, Gruyère, Mahón, Le Moulis, La Peral, Parmigiano Reggiano, Piave, Prattigauer, Quicke’s Cheddar, Stanser Rotelli, Taleggio. The Gamay grape is another red varietal that marries well with many cheeses, though most people seem to prefer reds with a little more backbone, like a Zinfandel.
I use to say that I thought that I was weaned on Chardonnay. For a go-to white wine, no other grape has come close. When people simply ask for a white wine, if any other varietal is included in the glass, I will bet that there may be a moment of hesitation, almost as though something might be a little “off.” Even for the A.B.C. (anything besides Chardonnay) crowd, the attractiveness of wines produced solely from this grape makes them hard to dismiss. By “attractiveness” I am referring to the grape’s many flavors and aromas, its supple mouth-feel, and its versatility with many foods. The Chardonnay wines can be so delicious that they can be enjoyed on their own. This is a quality that other varietals may also claim – that they can be enjoyed on their own – yet you can lose that appreciation for them more quickly than you can for the Chardonnays. Their wines seem to offer the complete “meal,” not just the beverage accompaniment quality. Some of those aromas and flavors can be found in other varietals, certainly, yet Chardonnay seems to have more of them.
You could say “No two Chardonnays are the same.” This would suggest a level of connoisseurship beyond the grasp of most individuals, even a bit of snobbery. Yes, they are different, yet they are unmistakably Chardonnay.
The appreciation for Chardonnay extends beyond the ease of its pronunciation. How many ways can you say “Chardonnay?” The name rolls of the tongue and the opportunities for rhyming with it are myriad. The relative ease of pronunciation reminds me of the name “Stilton.” This was the cheese guests requested most frequently during my Fromager tenure at Picholine restaurant. Far easier to pronounce than the French equivalent – Fourme d’Ambert – it may have given some diners a sense of connoisseurship, the recognition of a great cheese name. Interestingly, an old article in the Wine Spectator mentioned the success of pairing Stilton with Chardonnay. This sounded preposterous when I first read it, yet I admit that when I tried the two together, it turned out to be a good match. The success of this pairing was confirmed by participants in a Matchmaking Cheese & Wine class recently; the recognition of the successful pairing was virtually unanimous.
Like my favorite red grape – Cabernet Sauvignon – the Chardonnays appear to prefer cheeses made from cow milk. Some of the many cheeses that can pair well with Chardonnay wines with a couple of goat and sheep milk cheeses thrown in include: Affidelice, Appenzeller, Barely Buzzed, Beermat, Beaufort, Bleu de Laqueuille, Blu del Moncenisio, Brillat Savarin, Cheddar, Comté, Dorset, Fontina Val d’Aosta, Försterkäse (a.k.a. Bergfichte), Fourme d’Ambert, Hoch Ybrig, Humboldt Fog, Langres, Livarot, Mahón, Le Moulis, Le Moulis Chèvre, Roquefort, Roves des Garrigues, Rupert, Sainte-Maure, Sbrinz, Shropshire Blue, Stanser Rotelli, Taleggio, Tarentaise.
Yes, a glass of Chardonnay can be lovely on its own but why not elevate it with a fine cheese?
For more information, contact:
Black Twig Communications
314-255-2340 x 103
FOR IMMEDIATE RELEASE:
Cheese Connoisseur Announces Book Signing Tour in St. Louis
Author Max McCalman will be making appearances at five Schnucks locations
NEW YORK (July 20, 2011) â€“ Artisanal Brands, Inc. (OTCQB:AHFP) today announced that Max McCalman, Dean of Curriculum and MaÃ®tre Fromager at Artisanal Premium Cheese Center, will hold a book signing in St. Louis, Missouri on July 29 and 30 to promote his third book, Mastering Cheese: Lessons for Connoisseurship from a MaÃ®tre Fromager. McCalman will appear at the following St. Louis locations:
Friday, July 29, 2011:
11 a.m. to 12:30 p.m. at Schnucks Arsenal, 5505 Arsenal Road
1:30 p.m. to 3 p.m. at Schnucks Richmond Center, 6600 Clayton Road
4 p.m. to 5:30 p.m. at Schnucks Ladue, 8867 Ladue Road
Saturday, July 30, 2011:
11 a.m. to 12:30 p.m. at Schnucks Lindbergh, 10275 Clayton Road
1:30 p.m. to 3 p.m. at Schnucks Des Peres, 12332 Manchester Road
â€œMax is one of the cheese worldâ€™s most respected authorities on artisan cheeses and he has been a highly visible advocate for artisan cheesemakers around the world,â€ said Daniel W. Dowe, president and CEO of Artisanal. â€œMastering Cheese is the first of Maxâ€™s books to include extensive information on the artisan cheese revolution in the United States. We are all very appreciative of the work Max has done for our company and the entire industry.â€
McCalman is America’s first restaurant-based MaÃ®tre Fromager, and Garde et Jure as designated by France’s Guilde des Fromagers. He joined New York City-based restaurant Picholine in 1994 where he created the restaurant’s fabled cheese program with Chef-Proprietor Terrance Brennan. McCalman later established the critically acclaimed cheese programs at Artisanal Brasserie & Fromagerie restaurant, followed by the Artisanal Cheese Center, both in New York City.
In Mastering Cheese, McCalman condenses his vast knowledge into a single, one-of-a-kind volume that is the ultimate masterâ€™s class on cheese. The book presents in-depth information on everything from production methods and the laws that govern cheese naming, to choosing what cheese to buy at the grocery store and what wines or beers to pair with it. Organized into twenty-two distinct lessons, each lesson focuses on eight to 15 cheeses and ends with how-to information on creating a tasting plate from the knowledge garnered, bringing the experience to delectable life.
Mastering Cheese won “Best in the World Book on Cheese” for 2011 from the esteemed Gourmand International World Cook Book Awards, and was a finalist in the International Association of Culinary Professionals (IACP) Food & Beverage Reference/Technical category for 2011.
Artisanal Premium Cheese recently launched its products in St. Louis area Schnuck Markets along with its four-color cheese selection and wine and beer pairing system called the CheeseClock by Artisanalâ„¢. The CheeseClock by Artisanalâ„¢ gives consumers the guidance they need to confidently purchase cheeses and pair them with wines and beers in the very same fashion as a professional chef would present them in fine dining from mild to strong. Cheeses available include: (mild) Laurier, Rocky Sage, Brillat Savarin, Geit-in-Stad; (medium) Camembert, Pecorino Sardo, Tarraluna, Stella Royale; (bold) Uplands Pleasant Ridge, Artisanal 2-year Cheddar, Tomme Fermiere Dâ€™Alsace; (strong) Gouda Aged 4-years, North Country Blue, La Peral, Artisanal Roquefort.
About Artisanal Premium Cheese
Artisanal Brands, Inc. markets and distributes a line of specialty, artisanal and farmstead cheese products, as well as other related specialty food products under its own brand to food wholesalers and retailers, as well as directly to consumers through its catalogue and Web site, artisanalcheese.com. The company is based in New York, New York. For more information about Artisanal, visit www.artisanalcheese.com.
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